Zootopia 2 3D Movie Review

November 27, 2025 by Jacob Scarberry in zootopia 2, zootopia 2 3d, zootopia 2 3-D, zootopia, Disney , Disney, 2025, 3-D Cinema, 3-D Films, 3-D Movies, 3D Movies, 3D films, 3D or 2D, 3D Worth It, animated movies, zootopia 2 3d review

Zootopia 2 3D Movie Review

Written By: Jacob Scarberry

3D

Stunning. Breath-taking. All the positive adjectives — I can bear-ly put into words how fantastic this 3D presentation was for Zootopia 2. Honestly, I couldn’t even think of what to say at first, because it’s that good.

The depth in Zootopia 2 is incredible — wide, clean, and consistently layered. There are constant pop-outs, including one tranquilizer dart in slow motion that had me literally duck for cover. Cityscapes stretch endlessly, the rainforest district feels almost tactile, and the snow regions look so good they practically made me feel cold. Action scenes are staged with clarity and purpose, with snouts, tails, tools, and debris regularly extending toward the audience.

Zootopia 2’s 3D presentation had zero ghosting, no dimming, and no artifact issues whatsoever — just bright, clean, reference-quality 3D visuals. You can tell the filmmakers planned for the format from the beginning, and the result is Disney’s strongest 3D effort in years.

Go see Zootopia 2 in 3D — you will not regret it!

Final 3D Verdict: 10/10 And Editor’s Choice Award

Movie

Nine years ago, with Zootopia, we got an amazing animated film about bias and racial stigma disguised as a buddy-cop comedy. Now we have Zootopia 2, a solid animated buddy-cop comedy with twice the puns, twice the pop-culture references, and far less emphasis on sociopolitical commentary — maybe a little too light for the times we live in. While it’s fun, Zootopia: The “Squeak-quel” isn’t exactly the sequel I was hoping for.

The plot of Zootopia 2 takes place one week after the duo solved a major conspiracy, with Officers Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) now rookie partners who immediately overstep Chief Bogo’s (Idris Elba, in a glorified cameo) orders. Their mistake causes major destruction and lands them in mandatory therapy for mismatched partners or else be split up. Naturally, they ignore the warnings and jump into a new case: a reptile land-rights conspiracy tied to a century-old murder that drove an entire species into hiding. The duo goes on the run to protect a misunderstood population on the brink of extinction.

Do you like animals? Do you like puns? Do you like both glued together? Because Zootopia 2 has them by the bushel. Some puns land well, others… well, “Nitrous Oinkside” exists. The film also packs in a surprising number of pop-culture references, including nods to R-rated horror movies that’ll fly right over kids’ heads — not always as clever as the movie thinks.

What works, though, are the characters and their chemistry. Bateman and Goodwin still have excellent rapport, and whenever Zootopia 2 focuses on the inner workings of their partnership, it’s touching, genuine, and funny. The voice cast is strong across the board — Fortune Feimster’s conspiracy-podcast host Nibbles is a standout, and Ke Huy Quan is delightful as Gary De’Snake. Hopefully both return.

The visual and technical aspects of Zootopia 2 are outstanding. Disney Animation delivers gorgeous work: expressive faces, fluid body movements, beautiful weather effects, and stellar rendering of physical materials (water, sand, dust, etc.) I also appreciated that the film credits the entire animation studio, not just department heads. Michael Giacchino’s score is charming, though some cues reminded me a bit of The Bad Guys. Sound mixing and editing are top-notch and deserve a Dolby Atmos or DTS:X setup — sadly, my theater only had 7.1.

Besides the uneven puns, the heavy-handed references, and a third act that drags long enough to make you check your watch, Zootopia 2 is a delightful film. It’s not as good as the original, but it is entertaining, visually excellent, and full of heart. The movie could have leaned harder into deeper societal themes — racism, bias, and the reptile community’s oppression — but the character work is strong enough to make it worth your while.

Final Movie Verdict: 7/10

Check out our review of the original Zootopia movie via the link below:

https://www.3dor2d.com/reviews/zootopia

Official Website:

https://movies.disney.com/zootopia-2

Predator Badlands 3D Movie Review

November 08, 2025 by Jacob Scarberry in 3-D Cinema, 3-D Films, 3-D Movies, 3D or 2D, predator badlands, predator, predator badlands 3d, predator badlands 3-d, predator movies, 3D Movies, 3D films, 2025

Predator Badlands 3D Movie Review

By Jacob Scarberry

3D

With the only previous Predator 3D release being the notoriously bad post-conversion of the 1987 classic (back in 2010), I was worried this one might follow suit. Fortunately, this new 3D presentation looks really nice — though it could’ve been a bit stronger in places.

Predator Badlands opens with a terrific shot from inside a cave looking out toward the horizon — the cavern’s edges stretch toward the viewer while the skyline fades into the distance, showing off impressive 3-D depth. That same sense of dimension continues throughout the movie.

There are several fun pop-out moments — debris flying toward the audience, weapons aimed straight at the viewer — that make you instinctively want to duck. Some nighttime scenes naturally flatten things a bit, but even then, there’s still a solid sense of depth. I only noticed a couple brief instances of ghosting, and only on the subtitles.

Overall, Predator Badlands has an impressive 3D presentation that’s absolutely worth watching in that format.

Final 3D Score: 7/10*

* Previously this score was 8/10. Upon further consideration the reviewer has changed his mind and lowered it to a 7.

Movie

The Predator franchise has had a rocky 30-plus-year run — starting with a fantastic first film and followed by sequels of wildly varying quality. But after the surprisingly good Prey in 2022, it feels like the series has finally found its footing again. Disney made the right move by keeping Prey director Dan Trachtenberg on board for Predator Badlands, because this movie is genuinely great.

The story follows Dek, the so-called “runt” of the Yautja tribe. Ordered by their father to be killed for being weak, Dek is spared by his brother Kwei, who lets him escape to another planet, Genna — only for their father to slaughter Kwei in the name of tradition. Determined to earn his way back home, Dek sets out to claim the impossible trophy known as the Kalisk. Genna, however, is far more dangerous than he expects.

While struggling to survive the planet’s brutal environment, Dek encounters a legless android named Thia, who reluctantly becomes his partner on this perilous quest. I won’t spoil what happens next, but let’s just say a surprisingly cute merchandising opportunity joins the mix — creating an unlikely but endearing little “family.”

I’m not gonna lie — I was genuinely surprised by how good this film was. Even after Prey, I didn’t expect Disney to actually deliver another solid Predator entry, but here we are. The performances are strong all around, with Elle Fanning doing a solid job as Thia (even if her slightly grating tone seems intentional for the character).

Jeff Cutter’s cinematography is fantastic — shot with older lenses that give the movie a cinematic flair and some stylish lens flares — while making New Zealand look otherworldly in the process. The score by Sarah Schachner and Benjamin Wallfisch is another standout, and the sound mixing deserves serious awards attention. The editing keeps the pacing tight with no unnecessary fluff.

Sure, the story is fairly predictable — the “young warrior rises up against the odds” formula — but it smartly flips expectations by making the Predator the hero instead of the villain. A few CGI elements don’t quite hold up, but there are also some truly impressive effects, especially the entirely computer-generated mandibles, which look fantastic.

Overall, Predator: Badlands is a strong, worthy addition to the franchise — entertaining, well-made, and hopefully just the beginning of a new era for Predator.

Final Movie Score: 8/10

Learn more about how we rate 3D content via the link below:

https://www.3dor2d.com/3d-or-2d-ratingssystem/

Official Website :

https://www.20thcenturystudios.com/movies/predator-badlands

Superman 3D Movie Review

July 11, 2025 by adolph vega in Superman, Superman 2025, Superman 2025 3d, Superman 2025 3-D, DC Comics, 2025, 3-D Cinema, 3-D Films, 3-D Movies, 3D films, 3D Movies, 3D or 2D, 3D Worth It

Superman

3D Movie Review

By Adolph Vega

3D

I watched Superman in IMAX 3D, and it’s definitely worth it. The film makes strong use of both pop-out 3-D effects and depth-based 3D, adding visual excitement without ever feeling like a gimmick. One of the most fun 3D moments involves a few loose teeth flying toward the screen — playful and effective. A more emotional high point comes when Superman saves a little girl from falling debris — the camera work and pop-out depth make that moment hit hard in the best way.

There’s also a visually stunning black hole scene, where the layered 3D visuals shine, offering a real sense of scale and cosmic awe. For the most part, the format complements the film’s scope and ambition beautifully.

That said, the 3D is not perfect. There are some minor ghosting issues in a few scenes. Certain moments are intentionally presented in 2D, that is when characters are watching TV or looking at phone screens. It makes sense, but it does briefly break the immersion. Also, the film’s stylized cinematography and fast-paced editing occasionally clash with the 3D presentation, making some sequences a bit visually overwhelming.

Still, those are relatively minor gripes. When the 3D works, it genuinely enhances the experience of watching Superman. I’d definitely recommend seeing it in 3D — especially IMAX 3D if you can find it (and afford it). Overall, Superman (2025) makes great use of stereoscopic effects, enhancing key scenes with immersive visuals that pulled me right into the world of Metropolis.

Final 3D Score: 8/10

Movie

Superman (2025) is an exciting, heartfelt return to form. The movie brings fresh energy and boldness to the DC Universe while still honoring the essence of its most iconic hero. That said, it’s not without its issues.

The film moves very fast — sometimes to a fault. From the opening scene, it barrels ahead with little time to breathe or reflect. The pacing feels rushed, and on occasion, important story elements are told rather than shown, which creates the sensation that we’ve jumped into the second film in a trilogy without seeing the first. While things do come together by the end, the lack of background context can be a bit jarring at times. For example, we’re told why Lex Luthor hates Superman — but I wanted to see what triggered it firsthand.

Despite this, the story it tells is surprisingly relevant and emotionally resonant. There are clear allusions to modern-day issues — fake news, immigration, and even allegories of the war in Ukraine — all woven into a narrative about fear, control, journalism, and public perception. Some will no doubt complain that it’s “too political,” but that criticism overlooks who Superman has always been. He stood for truth and justice from the very beginning — in Action Comics #1 (1938), he was already fighting corrupt lobbyists and war profiteers. Superman has always been caring being that connects to the era that it’s set in.

This film doesn’t directly preach, but uses metaphors to reflect on the works that we live in. Topics like the smearing of reputations, war profiteering, the alienation of the “other,” and the power of journalism aren’t heavy-handed — they’re honest acute reflections of the world we live in. The film doesn’t feel like an agenda; it feels like a thoughtful critique of the human experience, and that gives it real weight.

At the heart of the film is a Superman who is struggling. It’s a shocking and brilliant way to start the film. Superman is vulnerable — not just physically, but emotionally. Superman is caught in a storm of PR spin to ruin his reputation. This is a smart narrative that adds tension and complexity without compromising Superman’s core values of kindness, decency, and hope. This is where the film truly shines — it understands the character of Superman, not as an invincible alien, but as a symbol of what humanity could aspire to be. Superman has always saved humanity, but we saved him and gave him the opportunity to be the mightiest hero.

The cast is one of the film’s strongest assets. David Corenswet is phenomenal — he radiates warmth, strength, and quiet humility that makes him feel exactly like Superman should. You understand why the world believes in him, and why this version of Superman resonates so strongly in a cynical, jaded age. The core ensemble is strong, especially the leads, though I do think some of the extended Daily Planet staff could’ve been trimmed without much loss.

Nathan Fillion stands out as Green Lantern — brash, abrasive, and completely entertaining. I especially loved how the film used his powers creatively. His presence adds energy and contrast to Superman’s softer demeanor, without stealing the spotlight. Edi Gathegi as Mr. Terrific also showcases excellent performance and was a surprise highlight of the film.

When the film slows down, it truly pays off. The more reflective, dialogue-heavy scenes help deepen the characters and create emotional weight. These are the moments that anchor the film emotionally and remind us why we care about these people.

Of course, this wouldn’t be a superhero movie without action — and the action here is excellent. It’s frequent, well-choreographed, and visually spectacular. Whether it’s massive city destruction or smaller, character-driven fights, every sequence has a sense of scale and flair that feels distinctly comic book — not grounded realism, but elevated imagination. At a time when many people feel superhero fatigue, this film feels refreshing, distinct, and vibrant. The special effects are superb, and overall, it’s just a joy to watch.

Also, let’s not forget Krypto the Superdog — an absolute scene-stealer. His scenes are equal parts funny, heartwarming, and badass. He adds so much to the movie.

The film’s tone is another major win. The humor feels natural, never forced, and the entire project feels like a confident new direction. It’s not trying to be Marvel, and it’s not trying to copy the Snyderverse — it’s something new. It’s unapologetically comic book-y in the best ways. James Gunn nailed it. I genuinely feel excited about the future of this universe, and this movie does a great job of laying the groundwork for the new DCU — teasing what’s to come without feeling like a commercial.

Yes, I still have a lot of unanswered questions, and yes, some characters and subplots could’ve been tightened — but those are small issues in an otherwise thrilling, hopeful, emotionally grounded Superman film. Superman (2025) is the Superman film I’ve been waiting decades for. It’s bold, wholesome, emotional, and modern, without losing what makes the character timeless. With standout performances, meaningful themes, thrilling action, and a tone that balances heart and spectacle, this is easily top tier filmmaking and one of the best Superman movies of all time.

Final Movie Score: 9/10

Learn more about how we rate 3D content via the link below:

https://www.3dor2d.com/3d-or-2d-ratingssystem/

https://www.superman.com