Moana 2026 3D Movie Review

Moana (2026)

3D Movie Review

Written By:Adolph Vega


3D

I watched Moana (2026) in RealD 3D on a laser projector, and visually it’s a beautiful presentation. The bright tropical environments absolutely thrive in 3D, creating a vibrant image that feels rich and inviting from beginning to end.

There are plenty of fun moments where objects fly off the screen. Spears, oars, flames, splashing water, and other effects constantly reach into the audience, giving the presentation an energetic feel. The underwater sequences are especially gorgeous, often looking like animated screen savers filled with colorful sea life.

The environments benefit the most from the extra dimension. Jungles, tree limbs, and villages all gain convincing layers that make you feel like you’re standing inside the world rather than simply watching it. Even the end credits feature some surprisingly attractive 3D imagery.

Ironically, my biggest disappointment was the ocean itself. I expected the endless open water to deliver incredible depth, but many of those sweeping shots felt surprisingly flat. A handful of darker scenes also reduce the overall impact, although the 3D remains solid even during those moments.

My favorite 3D sequence is “You’re Welcome,” which makes excellent use of layered imagery and depth throughout the musical number.

While I wish the characters themselves had been given more dimensionality (more on that later), Moana (2026) is still an attractive and consistently enjoyable 3D presentation.

Final 3D Score: 8/10


Movie

Disney’s live-action Moana follows the exact same story audiences fell in love with nearly ten years ago—to a fault.

As her island begins to struggle, Moana sets out to find a solution, eventually teaming up with the demigod Maui on a magical journey to restore balance to the world.

The biggest problem with this movie isn’t the story—it’s the performances. Nearly every actor feels restrained, bringing very little personality or energy to their character. “Flat” is the perfect word to describe the acting. These aren’t three-dimensional characters. They aren’t even two-dimensional. Most of them feel one-dimensional, with little personality or meaningful character development.

Heihei, the chicken sidekick, has a larger role here. I understand the character is meant to entertain younger audiences, but I found the added screen time more tedious than funny. Moana’s parents are present throughout the film, yet they leave almost no impression. Even Dwayne Johnson, who brought so much charisma to Maui in the animated version, feels like he’s running on autopilot. For a story filled with larger-than-life personalities, everyone feels oddly muted. I kept wishing the cast would simply be more animated.

One scene before the song “Shiny” especially stood out to me. Maui tells Moana to be “more shiny,” and I couldn’t help but think that’s exactly what this movie needed. It almost felt like a fourth-wall break. Nearly every performance lacks the charisma and emotional weight needed to make these characters pop. Because of that, it’s difficult to become invested in anyone, and the movie ultimately becomes a chore to watch.

The live-action remake is about 95% identical to the animated original, yet somehow it loses much of the heart that made that film so memorable. Despite following the same story beat for beat, this version feels slower, flatter, and emotionally distant.

Before the movie started, there was a commercial for Pepsi’s Starry with the slogan, “It hits different.” Oddly enough, that phrase perfectly describes this movie. It definitely hits different—but not in a good way.

Disney doesn’t do this remake any favors by recreating the original so closely. With both films telling virtually the same story, the inevitable question becomes: why remake it at all? Unlike Will Smith’s Genie in Aladdin, which intentionally offered a fresh interpretation instead of imitating Robin Williams, this film rarely brings anything new to the table. Outside of a handful of mostly forgettable scenes, it never gives audiences a compelling reason to choose it over the animated version.

It’s impossible not to compare this movie to the original because Disney invites that comparison. Even setting nostalgia aside, I still don’t think this version works on its own. The pacing drags, the emotional moments don’t land, and the characters never develop enough depth to make the journey engaging. Viewed on its own merits, Moana (2026) is simply a slow, uninspired film with weak performances that isn’t worth your time.

I’ll give the movie credit where it’s due: the songs are performed well. Catherine Laga’aia certainly has the vocal ability to hit the high notes, but great singing alone isn’t enough to carry the film. Dwayne Johnson and Jemaine Clement reprise their roles, but both performances feel less energetic than before. The new songs are largely forgettable and add very little to the experience. My favorites, “You’re Welcome” and “Shiny,” remain the highlights, but even those somehow feel less impactful this time around. Overall, the soundtrack just doesn’t hit as hard as it should.

Visually, the movie is undeniably gorgeous. The tropical islands, oceans, creatures, and visual effects all look fantastic. Ironically, many of the magical creatures remain fully animated, which raises an interesting question: if so much of the fantasy still relies on animation, what exactly is gained by making the movie live action?

I simply can’t recommend Moana (2026) outside of its enjoyable 3D presentation. The visuals are beautiful, yet everything underneath feels strangely lifeless. Disney has recreated one of its most beloved modern animated films almost scene for scene, but in the process it lost much of the heart and magic that made the original so special.

If you’ve never seen Moana, watch the animated film instead. If you already love the original, this remake offers very little reason to return. For me, Moana (2026) is one of Disney’s weakest live-action remakes and one of the biggest disappointments of 2026.

Final Movie Score: 3/10


Read our review (Different reviewer) of Moana 2 via the link below:

https://www.3dor2d.com/reviews/moana-2

You can read our review of the original animated (same reviewer of this movie) Moana by clicking the link below:

https://www.3dor2d.com/reviews/moana



Learn more about how we rate 3D content via the link below:

https://www.3dor2d.com/3d-or-2d-ratingssystem/


Official Website:

https://movies.disney.com/moana-2026

© 2026 Disney and its related entities


Zootopia 2 3D Movie Review

Zootopia 2 3D Movie Review

Written By: Jacob Scarberry

3D

Stunning. Breath-taking. All the positive adjectives — I can bear-ly put into words how fantastic this 3D presentation was for Zootopia 2. Honestly, I couldn’t even think of what to say at first, because it’s that good.

The depth in Zootopia 2 is incredible — wide, clean, and consistently layered. There are constant pop-outs, including one tranquilizer dart in slow motion that had me literally duck for cover. Cityscapes stretch endlessly, the rainforest district feels almost tactile, and the snow regions look so good they practically made me feel cold. Action scenes are staged with clarity and purpose, with snouts, tails, tools, and debris regularly extending toward the audience.

Zootopia 2’s 3D presentation had zero ghosting, no dimming, and no artifact issues whatsoever — just bright, clean, reference-quality 3D visuals. You can tell the filmmakers planned for the format from the beginning, and the result is Disney’s strongest 3D effort in years.

Go see Zootopia 2 in 3D — you will not regret it!

Final 3D Verdict: 10/10 And Editor’s Choice Award


Movie  

 

Nine years ago, with Zootopia, we got an amazing animated film about bias and racial stigma disguised as a buddy-cop comedy. Now we have Zootopia 2, a solid animated buddy-cop comedy with twice the puns, twice the pop-culture references, and far less emphasis on sociopolitical commentary — maybe a little too light for the times we live in. While it’s fun, Zootopia: The “Squeak-quel” isn’t exactly the sequel I was hoping for.

The plot of Zootopia 2 takes place one week after the duo solved a major conspiracy, with Officers Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) now rookie partners who immediately overstep Chief Bogo’s (Idris Elba, in a glorified cameo) orders. Their mistake causes major destruction and lands them in mandatory therapy for mismatched partners or else be split up. Naturally, they ignore the warnings and jump into a new case: a reptile land-rights conspiracy tied to a century-old murder that drove an entire species into hiding. The duo goes on the run to protect a misunderstood population on the brink of extinction.

Do you like animals? Do you like puns? Do you like both glued together? Because Zootopia 2 has them by the bushel. Some puns land well, others… well, “Nitrous Oinkside” exists. The film also packs in a surprising number of pop-culture references, including nods to R-rated horror movies that’ll fly right over kids’ heads — not always as clever as the movie thinks.

What works, though, are the characters and their chemistry. Bateman and Goodwin still have excellent rapport, and whenever Zootopia 2 focuses on the inner workings of their partnership, it’s touching, genuine, and funny. The voice cast is strong across the board — Fortune Feimster’s conspiracy-podcast host Nibbles is a standout, and Ke Huy Quan is delightful as Gary De’Snake. Hopefully both return.

The visual and technical aspects of Zootopia 2 are outstanding. Disney Animation delivers gorgeous work: expressive faces, fluid body movements, beautiful weather effects, and stellar rendering of physical materials (water, sand, dust, etc.) I also appreciated that the film credits the entire animation studio, not just department heads. Michael Giacchino’s score is charming, though some cues reminded me a bit of The Bad Guys. Sound mixing and editing are top-notch and deserve a Dolby Atmos or DTS:X setup — sadly, my theater only had 7.1.

Besides the uneven puns, the heavy-handed references, and a third act that drags long enough to make you check your watch, Zootopia 2 is a delightful film. It’s not as good as the original, but it is entertaining, visually excellent, and full of heart. The movie could have leaned harder into deeper societal themes — racism, bias, and the reptile community’s oppression — but the character work is strong enough to make it worth your while.

Final Movie Verdict: 7/10

Check out our review of the original Zootopia movie via the link below:

https://www.3dor2d.com/reviews/zootopia

Official Website:

https://movies.disney.com/zootopia-2

© 2025 Disney and its related entities

Disney's Elio 3D Movie Review

Disney's Elio 3D Movie Review

By Adolph Vega

3D

The 3D in Elio is solid overall, and some moments genuinely wow you, but ultimately it’s hampered by Disney’s reluctancy and ghosting. Many of the space scenes look fantastic in stereoscopic 3d — the layering, the particle effects, the alien architecture — all rich with depth and visual candy. The movie features numerous enjoyable 3D moments, including pop-out scenes and shallow environments that effectively immerse the audience (diorama effect) into the scenes.

That being said Elio is a science fiction movie, but it’s absolutely haunted by 3-D ghosting. Sadly this issue is not just in one or two spots — it’s frequent and frustrating. You’ll go from an impressive scene that looks near-perfect to a blurry double-vision mess that ruins the moment in the next scene. Honestly, Elio has bipolar 3D — and that’s not a reference to the 3D glasses. It swings between fantastic and awful, and frustratingly averages out to be fine overall… when it should’ve been stellar. It’s a shame, because when Elio leans into the 3D format, it really excels. I do not believe this issue with the theatre’s presentation. The 3D trailers before this movie were 100% fine. Regrettably, I believe Disney itself is hindering the 3D potential of its animated films. There’s one scene with a character aiming a gun right at the screen — a perfect pop-out moment — but the gun that’s popping out of the screen is blurred. Why?! It just seems as if Disney deliberately instructed the 3D team to refrain from fully embracing the format. I’m sorry to state this, but if this were a DreamWorks animation film, the 3D probably would’ve been better implemented, and it would probably have received a much more positive review. Perhaps Disney is hesitant to fully commit to stereoscopic animation, perhaps due to concerns about potentially harming children’s eyes. While Disney animated films generally have good 3D visuals, they don’t seem to be fully exploring the potential of 3D. This is particularly disheartening for me, a die-hard 3D enthusiast, as I can envision a version of this movie that would be breathtaking in 3D.

Elio also has many darkly lit scenes, and those are always an issue with 3D. Elio’s 3D is orbiting greatness. Sometimes it’s closer, and sometimes it’s farther away, but it never quite lands where it should be. Elio should have been a 3D showcase, but sadly it’s a disappointment. With a heavy heart, overall I have to give Elio 3D aspect only a slight recommendation.

Final 3D Score: 6/10


Movie

Disney has an uneven record with sci-fi, and Elio unfortunately keeps that streak going.

The story centers on Elio, a lonely boy who dreams of being abducted by aliens — and then actually gets abducted. The aliens mistakenly believe he is the leader of Earth, which (of course) sets off a string cosmic misadventures. It has that rewritten-a-few-too-many-times feel — probably because it was. I accurately predicted a solid 60% of the movie’s plot points. The characters are fairly one-dimensional, and simplistic. I thought the huge conflict in this movie was dumb and poorly conceived. Overall it feels like a short film that got stretched into a feature-length runtime.

This movie provided me with a roller coaster of feelings and tones. There are laughs, but it’s not fully a comedy. One horror-inspired sequence was genuinely hilarious and had me laughing out loud. The movie has heart and even some real emotional swings, but not all of it feels earned. I don’t care enough about these characters to shed a tear, even though the movie is trying to make me (and the audience) cry. Is the movie an adventure movie? Yes. Is it an emotional journey of self-discovery? Yes. Is it silly? Yes. Is it serious? Yes. Elio is the perfect example of a jack-of-all-trades and master of none.

I do respect that the space alien designs steer away from the usual “different face ridges or human with blue colored skin” formula. The aliens have truly bizarre, non-humanoid, non-bipedal designs that look not of this world, but they are also so alien that it’s hard to connect with them. As a lifelong sci-fi fan, I wanted to love that aspect more than I actually did.

The film has two standout cameos that fans of sci-fi will absolutely recognize. I won’t spoil them here, but they fit the movie perfectly— a little too perfectly — like the film was elbowing you and saying, “You see what we did there?” Yet, I had a huge grin on my face. There are also clever nods to classic sci-fi films, which were genuinely fun to find. Unlike the cameos, the sci-fi references in the movie are very subtle. If you don’t know the reference, it’s perfectly fine.

Visually, the animation is colorful, but the art style is forgettable — generic, even. It has the same visual design as Disney’s Strange World, and honestly feels like Pixar / Disney is just recycling assets at this point. It’s not uncommon for Disney to revisit its classic animated films, such as the original Snow White and Robin Hood movies. This video showcases that aspect perfectly, and I imagine in the future someone will do a similar video with Strange World and Elio. It’s still disappointing and robs Elio of a fresh distinct look.

Before I conclude this review, I must mention that this movie includes both a mid-credit and post-credit scenes.

  • Mid-credit scene:

    A basic 5-second moment. The scene is a cute continuation of the story, but it’s not particularly special.

  • Post-credit scene:

    A teaser for an upcoming Pixar animated lizard movie. This ‘trailer’ is skippable and pointless. Don’t waste your time waiting for this scene - it’s truly not worth it.

While Elio does contain a few enjoyable moments, it’s not a movie that people are likely to revisit in the future. I love sci-fi, and I couldn’t love this uneven movie. The premise of Elio is cute, but the execution is entirely derivative.

Final Movie Score: 6/10



Learn more about how we rate 3D content via the link below:

https://www.3dor2d.com/3d-or-2d-ratingssystem/


Official Website :

https://movies.disney.com/elio

© 2025 Disney and its related entities