Superman 3D Movie Review

Superman

3D Movie Review

By Adolph Vega

superman new 2025 movie film poster

3D

I watched Superman in IMAX 3D, and it’s definitely worth it. The film makes strong use of both pop-out 3-D effects and depth-based 3D, adding visual excitement without ever feeling like a gimmick. One of the most fun 3D moments involves a few loose teeth flying toward the screen — playful and effective. A more emotional high point comes when Superman saves a little girl from falling debris — the camera work and pop-out depth make that moment hit hard in the best way.

There’s also a visually stunning black hole scene, where the layered 3D visuals shine, offering a real sense of scale and cosmic awe. For the most part, the format complements the film’s scope and ambition beautifully.

That said, the 3D is not perfect. There are some minor ghosting issues in a few scenes. Certain moments are intentionally presented in 2D, that is when characters are watching TV or looking at phone screens. It makes sense, but it does briefly break the immersion. Also, the film’s stylized cinematography and fast-paced editing occasionally clash with the 3D presentation, making some sequences a bit visually overwhelming.

Still, those are relatively minor gripes. When the 3D works, it genuinely enhances the experience of watching Superman. I’d definitely recommend seeing it in 3D — especially IMAX 3D if you can find it (and afford it). Overall, Superman (2025) makes great use of stereoscopic effects, enhancing key scenes with immersive visuals that pulled me right into the world of Metropolis.

Final 3D Score: 8/10


Movie

Superman (2025) is an exciting, heartfelt return to form. The movie brings fresh energy and boldness to the DC Universe while still honoring the essence of its most iconic hero. That said, it’s not without its issues.

The film moves very fast — sometimes to a fault. From the opening scene, it barrels ahead with little time to breathe or reflect. The pacing feels rushed, and on occasion, important story elements are told rather than shown, which creates the sensation that we’ve jumped into the second film in a trilogy without seeing the first. While things do come together by the end, the lack of background context can be a bit jarring at times. For example, we’re told why Lex Luthor hates Superman — but I wanted to see what triggered it firsthand.

Despite this, the story it tells is surprisingly relevant and emotionally resonant. There are clear allusions to modern-day issues — fake news, immigration, and even allegories of the war in Ukraine — all woven into a narrative about fear, control, journalism, and public perception. Some will no doubt complain that it’s “too political,” but that criticism overlooks who Superman has always been. He stood for truth and justice from the very beginning — in Action Comics #1 (1938), he was already fighting corrupt lobbyists and war profiteers. Superman has always been caring being that connects to the era that it’s set in.

This film doesn’t directly preach, but uses metaphors to reflect on the works that we live in. Topics like the smearing of reputations, war profiteering, the alienation of the “other,” and the power of journalism aren’t heavy-handed — they’re honest acute reflections of the world we live in. The film doesn’t feel like an agenda; it feels like a thoughtful critique of the human experience, and that gives it real weight.

At the heart of the film is a Superman who is struggling. It’s a shocking and brilliant way to start the film. Superman is vulnerable — not just physically, but emotionally. Superman is caught in a storm of PR spin to ruin his reputation. This is a smart narrative that adds tension and complexity without compromising Superman’s core values of kindness, decency, and hope. This is where the film truly shines — it understands the character of Superman, not as an invincible alien, but as a symbol of what humanity could aspire to be. Superman has always saved humanity, but we saved him and gave him the opportunity to be the mightiest hero.

The cast is one of the film’s strongest assets. David Corenswet is phenomenal — he radiates warmth, strength, and quiet humility that makes him feel exactly like Superman should. You understand why the world believes in him, and why this version of Superman resonates so strongly in a cynical, jaded age. The core ensemble is strong, especially the leads, though I do think some of the extended Daily Planet staff could’ve been trimmed without much loss.

Nathan Fillion stands out as Green Lantern — brash, abrasive, and completely entertaining. I especially loved how the film used his powers creatively. His presence adds energy and contrast to Superman’s softer demeanor, without stealing the spotlight. Edi Gathegi as Mr. Terrific also showcases excellent performance and was a surprise highlight of the film.

When the film slows down, it truly pays off. The more reflective, dialogue-heavy scenes help deepen the characters and create emotional weight. These are the moments that anchor the film emotionally and remind us why we care about these people.

Of course, this wouldn’t be a superhero movie without action — and the action here is excellent. It’s frequent, well-choreographed, and visually spectacular. Whether it’s massive city destruction or smaller, character-driven fights, every sequence has a sense of scale and flair that feels distinctly comic book — not grounded realism, but elevated imagination. At a time when many people feel superhero fatigue, this film feels refreshing, distinct, and vibrant. The special effects are superb, and overall, it’s just a joy to watch.

Also, let’s not forget Krypto the Superdog — an absolute scene-stealer. His scenes are equal parts funny, heartwarming, and badass. He adds so much to the movie.

The film’s tone is another major win. The humor feels natural, never forced, and the entire project feels like a confident new direction. It’s not trying to be Marvel, and it’s not trying to copy the Snyderverse — it’s something new. It’s unapologetically comic book-y in the best ways. James Gunn nailed it. I genuinely feel excited about the future of this universe, and this movie does a great job of laying the groundwork for the new DCU — teasing what’s to come without feeling like a commercial.

Yes, I still have a lot of unanswered questions, and yes, some characters and subplots could’ve been tightened — but those are small issues in an otherwise thrilling, hopeful, emotionally grounded Superman film. Superman (2025) is the Superman film I’ve been waiting decades for. It’s bold, wholesome, emotional, and modern, without losing what makes the character timeless. With standout performances, meaningful themes, thrilling action, and a tone that balances heart and spectacle, this is easily top tier filmmaking and one of the best Superman movies of all time.

Final Movie Score: 9/10



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Aquaman and the Lost Kingdom 3D Movie Review

Aquaman and the Lost Kingdom

3D Movie Review

By: Adolph Vega


3D

Final Verdict: 7/10


Movie

Final Verdict: 3/10


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Shazam! 3D Movie Review

Shazam! 3D Movie Review

Written By: Jake Jarvis


3D

The 3D has its moments in Shazam. One scene with a car crash is a real stand out regarding the 3D. Many scenes in the “Rock of Eternity” look really nice in 3D too.  Sadly the film is visually so dark and lacking contrast that the 3D effect gets lost in many scenes. Maybe it was a projector bulb situation with the presentation? Regardless I do wish that this movie were shot in more brightly lit locations. The 3D is worthwhile for hardcore 3D fans, but the 2D presentation would be just as an enjoyable film viewing experience. Overall I did like the 3D aspect of this movie, but it is hard to fully recommend.   

Final Verdict: Good 3D


Movie

Shazam, the super-hero formally known as Captain Marvel (it’s a long complicated story), returns to the big screen after a nearly 80 year hiatus and it is well worth the wait. 

 

What happens when a 14-year-old boy becomes a Superhero? This hilarious movie is the answer to that question. Casting in this movie is fantastic. Zachery Levi as Shazam, Jack Dylan Grazer as Freddy, Asher Angel as Billy, Mark Strong as Dr. Thaddeus Sivana, and Faithe Herman/Meagan Good as Darla are real stand outs in a well cast film. The David F. Sandberg directed film (The HangoverWar Dogs) is based on Geoff Johns' new Shazam comic book run, with a villain swap (Sivana for Black Adam). Even though this is another Geoff John’s comic book story adaption, it doesn't feel like a cookie cutter production. This film does its own thing, but references the wider DC universe. If I had to compare this movie to anything, I'd say it was a cross between 1984 Ghostbusters and the TV show The Fosters.  

 

Parents beware! This film is a hard PG-13 rating, similar in tone to 80s Amblin films. A boardroom scene ends with a moment that puts VENOM to shame. Yes, this film has some scary elements, but it is balanced with humor and heart. Comedy and horror both rely on timing and pacing, and both elements are pretty much on point in this movie.  Slow burns pay off and the 2-hour plus running time flies by quickly. Stay through the credits for a mid credit scene and an end credit scene.

As much as I enjoyed this movie, there were still things that bothered me. For starters, the school scenes weren't nearly as engaging as the scenes taking place in the foster home. The best part of the school scenes was the sly comic reference in the name of the school. The school pretty much just existed to propel the plot and show these characters were children. The film is set during the Yuletide season, wouldn't these kids be out of school for winter break? Another issue is with the villain Dr. Sivana. As wonderfully as Mark Strong portrayed him, he wasn't fleshed out very well. Readers of the golden age comics of Captain Marvel (Shazam!) , particularly the Otto Binder stories, know Dr. Sivana is one of the greatest comic villains of all time. It was a pity most of his backstory was jettisoned and his motivations were overly simplistic. Some of the kids and their counterparts were little more than comedy delivery devices. The school yard bullies for example are very one-dimensional characters. The third act is sloppy and has the obligatory final battle trope. Maybe I'm nitpicking, but is Shazam a separate identity and consciousness or merely the adult super powered version of Billy? The movie doesn't really say. To be fair the comics shift back and forth on this point too. The movie has many unanswered questions. 

 

All things considered I did enjoy my time with this film. Wow Shazam is a joy to watch and it is highly recommended. 

Final Verdict: 8/10


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