Superman 3D Movie Review

Superman

3D Movie Review

By Adolph Vega

superman new 2025 movie film poster

3D

I watched Superman in IMAX 3D, and it’s definitely worth it. The film makes strong use of both pop-out 3-D effects and depth-based 3D, adding visual excitement without ever feeling like a gimmick. One of the most fun 3D moments involves a few loose teeth flying toward the screen — playful and effective. A more emotional high point comes when Superman saves a little girl from falling debris — the camera work and pop-out depth make that moment hit hard in the best way.

There’s also a visually stunning black hole scene, where the layered 3D visuals shine, offering a real sense of scale and cosmic awe. For the most part, the format complements the film’s scope and ambition beautifully.

That said, the 3D is not perfect. There are some minor ghosting issues in a few scenes. Certain moments are intentionally presented in 2D, that is when characters are watching TV or looking at phone screens. It makes sense, but it does briefly break the immersion. Also, the film’s stylized cinematography and fast-paced editing occasionally clash with the 3D presentation, making some sequences a bit visually overwhelming.

Still, those are relatively minor gripes. When the 3D works, it genuinely enhances the experience of watching Superman. I’d definitely recommend seeing it in 3D — especially IMAX 3D if you can find it (and afford it). Overall, Superman (2025) makes great use of stereoscopic effects, enhancing key scenes with immersive visuals that pulled me right into the world of Metropolis.

Final 3D Score: 8/10


Movie

Superman (2025) is an exciting, heartfelt return to form. The movie brings fresh energy and boldness to the DC Universe while still honoring the essence of its most iconic hero. That said, it’s not without its issues.

The film moves very fast — sometimes to a fault. From the opening scene, it barrels ahead with little time to breathe or reflect. The pacing feels rushed, and on occasion, important story elements are told rather than shown, which creates the sensation that we’ve jumped into the second film in a trilogy without seeing the first. While things do come together by the end, the lack of background context can be a bit jarring at times. For example, we’re told why Lex Luthor hates Superman — but I wanted to see what triggered it firsthand.

Despite this, the story it tells is surprisingly relevant and emotionally resonant. There are clear allusions to modern-day issues — fake news, immigration, and even allegories of the war in Ukraine — all woven into a narrative about fear, control, journalism, and public perception. Some will no doubt complain that it’s “too political,” but that criticism overlooks who Superman has always been. He stood for truth and justice from the very beginning — in Action Comics #1 (1938), he was already fighting corrupt lobbyists and war profiteers. Superman has always been caring being that connects to the era that it’s set in.

This film doesn’t directly preach, but uses metaphors to reflect on the works that we live in. Topics like the smearing of reputations, war profiteering, the alienation of the “other,” and the power of journalism aren’t heavy-handed — they’re honest acute reflections of the world we live in. The film doesn’t feel like an agenda; it feels like a thoughtful critique of the human experience, and that gives it real weight.

At the heart of the film is a Superman who is struggling. It’s a shocking and brilliant way to start the film. Superman is vulnerable — not just physically, but emotionally. Superman is caught in a storm of PR spin to ruin his reputation. This is a smart narrative that adds tension and complexity without compromising Superman’s core values of kindness, decency, and hope. This is where the film truly shines — it understands the character of Superman, not as an invincible alien, but as a symbol of what humanity could aspire to be. Superman has always saved humanity, but we saved him and gave him the opportunity to be the mightiest hero.

The cast is one of the film’s strongest assets. David Corenswet is phenomenal — he radiates warmth, strength, and quiet humility that makes him feel exactly like Superman should. You understand why the world believes in him, and why this version of Superman resonates so strongly in a cynical, jaded age. The core ensemble is strong, especially the leads, though I do think some of the extended Daily Planet staff could’ve been trimmed without much loss.

Nathan Fillion stands out as Green Lantern — brash, abrasive, and completely entertaining. I especially loved how the film used his powers creatively. His presence adds energy and contrast to Superman’s softer demeanor, without stealing the spotlight. Edi Gathegi as Mr. Terrific also showcases excellent performance and was a surprise highlight of the film.

When the film slows down, it truly pays off. The more reflective, dialogue-heavy scenes help deepen the characters and create emotional weight. These are the moments that anchor the film emotionally and remind us why we care about these people.

Of course, this wouldn’t be a superhero movie without action — and the action here is excellent. It’s frequent, well-choreographed, and visually spectacular. Whether it’s massive city destruction or smaller, character-driven fights, every sequence has a sense of scale and flair that feels distinctly comic book — not grounded realism, but elevated imagination. At a time when many people feel superhero fatigue, this film feels refreshing, distinct, and vibrant. The special effects are superb, and overall, it’s just a joy to watch.

Also, let’s not forget Krypto the Superdog — an absolute scene-stealer. His scenes are equal parts funny, heartwarming, and badass. He adds so much to the movie.

The film’s tone is another major win. The humor feels natural, never forced, and the entire project feels like a confident new direction. It’s not trying to be Marvel, and it’s not trying to copy the Snyderverse — it’s something new. It’s unapologetically comic book-y in the best ways. James Gunn nailed it. I genuinely feel excited about the future of this universe, and this movie does a great job of laying the groundwork for the new DCU — teasing what’s to come without feeling like a commercial.

Yes, I still have a lot of unanswered questions, and yes, some characters and subplots could’ve been tightened — but those are small issues in an otherwise thrilling, hopeful, emotionally grounded Superman film. Superman (2025) is the Superman film I’ve been waiting decades for. It’s bold, wholesome, emotional, and modern, without losing what makes the character timeless. With standout performances, meaningful themes, thrilling action, and a tone that balances heart and spectacle, this is easily top tier filmmaking and one of the best Superman movies of all time.

Final Movie Score: 9/10



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Venom 3 The Last Dance 3D Movie Review

Venom 3: The Last Dance

3D Movie Review

Written By:  Adolph Vega


3D

Venom 3: The Last Dance surprises with its 3D quality, especially since darkly lit movies often struggle with this format. However, Last Dance defies expectations and offers a visually engaging 3D experience. The presentation is unexpectedly sharp, even in dimly lit scenes, allowing viewers to appreciate the full detail and atmosphere of the Venom universe.

One of the standout sequences occurs underwater, where the 3D truly shines with countless bubbles. Depth and layers of 3D are handled with a level of vibrancy that brings the scene to life, immersing viewers in an almost tactile experience. In moments like these, the 3D enhances the intensity, pulling the audience deeper into the film’s environment. The effect could have been utilized even more, however, as there are some points where the 3D remains subtle (Too subtle). One early sequence set in Mexico (with the dogs) looked phenomenal in 3D. Sadly this sequence flies by in a few seconds.3D depth is handled well in a few key moments (waterfall and elevator scenes).

The movie also has plenty of fun pop-out moments with the various venom appendages. Various sequences with close ups of monster mouths look especially good in 3D. While not every scene uses 3D to its fullest potential, the overall experience is well-executed. This is especially notable for fans who enjoy a mix of dramatic depth and lighthearted pop-out effects.

All things considered, Venom 3: The Last Dance delivers a solid 3D presentation that complements the action and playful tone of the movie. Obviously your experience may vary so try to find the best quality, brightest theater that you can.

Final Verdict: 7/10


Movie

The third installment of Venom’s story, Venom 3: The Last Dance, takes a different approach compared to its predecessors, opting for a more straightforward narrative. This streamlined story works to the film’s benefit, especially given the overly complex romantic drama that weighed down previous entries. By focusing on action, comedy, and straightforward storytelling, Last Dance manages to keep audiences engaged from start to finish.

One of the biggest strengths of this film is its sense of humor. The comedy lands well and leans into a ludicrous, almost absurd tone that’s genuinely hilarious (many belly laughs). Tom Hardy nails this final performance as both Eddie Brock and Venom. Whether it’s Venom’s bizarre banter or ridiculous moments that seem to embrace the character’s chaotic energy, the laughs are well-earned and frequent. The action sequences are abundant, keeping the film moving at a brisk pace with hardly a dull moment in sight.

However, the film isn’t without its flaws. There are several plot holes and contrived moments that are noticeable. I accurately predicted many plot points in this movie. Despite being a part of Sony’s larger Marvel universe, Venom 3 doesn’t connect to other Sony films, which may be disappointing for those hoping for a crossover or continuation from past movies.

Visually, the movie is well-shot, with crisp, appealing cinematography that captures the gritty charm of Venom’s world. The character development is basic, with some characters feeling more like plot devices than fully fleshed-out individuals. This includes the villain, who, while true to the comics, doesn’t offer much depth. The music choices are both fun and a bit on-the-nose, matching the film’s tone.

Ultimately, Venom: The Last Dance is an enjoyable, fun finale that emphasizes action over story. It might not tie up every loose end or deliver a deep narrative, but it provides a satisfying and entertaining experience for fans of the character. The Venom movie franchise ends on a satisfying high note. Venom: Last Dance is easily the best Venom movie in the trilogy.

Final Verdict: 7/10


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Avatar 3D Movie Review

Avatar 3D Movie Review

Written By: Jacob Scarberry


3D

Simply put Avatar is a James Cameron 3D movie. James Cameron knows how to do 3D movies, and he is a pioneer in 3D technology. I could just stop right there and you'd get the point, but I'll elaborate in this review. The point is, Avatar is an absolute 3-D powerhouse, and with it being shot (largely) in 3D it aids in how beautiful the 3D can be in this movie. I didn't see this movie in 2009, but Avatar has a ton of 3D depth, and many instances of 3D pop-outs and a terrific use of color. It will be difficult to limit my appreciation to only a few noteworthy moments or scenes. I have to mention the floating mountain islands, they look amazing in 3D. The various aerial scenes are also top notch in 3D. The sequence with the tree of souls, and the floating seeds is amazing to see in 3D. I definitely appreciate what Avatar has done for 3D, and 3D storytelling, and how James Cameron has helped to make 3DTVs a thing. In closing the entirety of Avatar is fantastic to see 3D.

Final Verdict:

Great 3D & Editors Choice Award


Movie

James Cameron is a powerhouse director, having directed some amazing films, with Terminator 2 being one of my all time favorites, and with his previous film being Titanic netting him 4 Oscars, expectations were sky high for his follow-up. Cameron knew this, and instead of sacrificing his vision, he took twelve years to bring it to life, in-between dives down to the Titanic, of course. Were the high expectations met? In my eyes, no.

Avatar is practically a CGI-addled remake of the 1990 movie Dances with Wolves, but done with even less subtlety and class. The plot revolves around a former Marine, Jake Sully (Sam Worthington), who is a paraplegic whose twin brother who was murdered in a robbery gone bad. To salvage an important mission, he's hired by a corporation to take his brother's place going to the planet of Pandora. Pandora is chock full of unobtanium, and it happens to be in the centerpiece of the indigenous tribe, the Navi.

Jake is sent to infiltrate the Navi in an avatar, to try to diplomatically remove the Navi and mine the super rare mineral. Things get complicated as Jake begins to assimilate into the tribe, becoming one of them, falling in love with Neyteri (Zoe Saldanha) and gaining an enemy with Colonel Quarritch (Stephen Lang). Jake must use his military knowhow, his newfound Navi skills, and his brotherhood to stop the destruction of Pandora.

The film is a 2 and a half hour feast for the eyes, delivering a high-quality visual experience that is colorful and well-shot, and the HDR helps to make the world of Pandora look like a stunning beautiful place. Avatar looks pretty , but it’s also a pretty hollow movie. Avatar’s message is rammed into your head repeatedly to the point of hatred, and the world isn't fully developed. Creature designs are also rather lazy and the Navi themselves are just blue cats with a tentacle attached and more human-esque eyes. The acting ranges from decent to over-the-top, the writing, especially the dialogue, is rote and predictable. When Avatar is done you're left feeling overwhelmed by the whole endeavor instead of being inspired or in awe.

Despite these problems, seeing it in 3D on the largest screen available to me within a reasonable driving distance, in a heated recliner, with Dolby Atmos surround sound, made this worth the trip. The whole film is clearly Cameron's, and he has a firm grasp on pacing and action, and I wasn't lost or confused during the action or expository scenes. Avatar has a terrific score by the late, great James Horner. The wonderful music helped make this an easier pill to swallow.

Does Avatar deserve to be the highest grossing film of all time? No. But I can see why it is, especially having never viewed the film before today (September 24, 2022) as it's an experience moreso than a work of art.

Avatar is a showcase of CGI spectacle and gripping action of the highest order. Regardless of the flaws, see it on the biggest screen you've got handy and in 3D, it's a treat.

Final Verdict: 7/10


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