Predator Badlands 3D Movie Review

November 08, 2025 by Jacob Scarberry in 3-D Cinema, 3-D Films, 3-D Movies, 3D or 2D, predator badlands, predator, predator badlands 3d, predator badlands 3-d, predator movies, 3D Movies, 3D films, 2025

Predator Badlands 3D Movie Review

By Jacob Scarberry

3D

With the only previous Predator 3D release being the notoriously bad post-conversion of the 1987 classic (back in 2010), I was worried this one might follow suit. Fortunately, this new 3D presentation looks really nice — though it could’ve been a bit stronger in places.

Predator Badlands opens with a terrific shot from inside a cave looking out toward the horizon — the cavern’s edges stretch toward the viewer while the skyline fades into the distance, showing off impressive 3-D depth. That same sense of dimension continues throughout the movie.

There are several fun pop-out moments — debris flying toward the audience, weapons aimed straight at the viewer — that make you instinctively want to duck. Some nighttime scenes naturally flatten things a bit, but even then, there’s still a solid sense of depth. I only noticed a couple brief instances of ghosting, and only on the subtitles.

Overall, Predator Badlands has an impressive 3D presentation that’s absolutely worth watching in that format.

Final 3D Score: 7/10*

* Previously this score was 8/10. Upon further consideration the reviewer has changed his mind and lowered it to a 7.

Movie

The Predator franchise has had a rocky 30-plus-year run — starting with a fantastic first film and followed by sequels of wildly varying quality. But after the surprisingly good Prey in 2022, it feels like the series has finally found its footing again. Disney made the right move by keeping Prey director Dan Trachtenberg on board for Predator Badlands, because this movie is genuinely great.

The story follows Dek, the so-called “runt” of the Yautja tribe. Ordered by their father to be killed for being weak, Dek is spared by his brother Kwei, who lets him escape to another planet, Genna — only for their father to slaughter Kwei in the name of tradition. Determined to earn his way back home, Dek sets out to claim the impossible trophy known as the Kalisk. Genna, however, is far more dangerous than he expects.

While struggling to survive the planet’s brutal environment, Dek encounters a legless android named Thia, who reluctantly becomes his partner on this perilous quest. I won’t spoil what happens next, but let’s just say a surprisingly cute merchandising opportunity joins the mix — creating an unlikely but endearing little “family.”

I’m not gonna lie — I was genuinely surprised by how good this film was. Even after Prey, I didn’t expect Disney to actually deliver another solid Predator entry, but here we are. The performances are strong all around, with Elle Fanning doing a solid job as Thia (even if her slightly grating tone seems intentional for the character).

Jeff Cutter’s cinematography is fantastic — shot with older lenses that give the movie a cinematic flair and some stylish lens flares — while making New Zealand look otherworldly in the process. The score by Sarah Schachner and Benjamin Wallfisch is another standout, and the sound mixing deserves serious awards attention. The editing keeps the pacing tight with no unnecessary fluff.

Sure, the story is fairly predictable — the “young warrior rises up against the odds” formula — but it smartly flips expectations by making the Predator the hero instead of the villain. A few CGI elements don’t quite hold up, but there are also some truly impressive effects, especially the entirely computer-generated mandibles, which look fantastic.

Overall, Predator: Badlands is a strong, worthy addition to the franchise — entertaining, well-made, and hopefully just the beginning of a new era for Predator.

Final Movie Score: 8/10

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Official Website :

https://www.20thcenturystudios.com/movies/predator-badlands

Tron Ares 3D Movie Review

October 10, 2025 by adolph vega in 3-D Cinema, 3-D Films, 3-D Movies, 3D or 2D, 2025, Tron Ares, Tron

Tron Ares 3D Movie Review

Movie Review by Jacob Scarberry

3D

Overall the 3D aspect of Tron Ares is pretty dang good. The film has a distinct unique art style that in theory works well for the 3-D format. The film looks its best in 3-D when in the world(s) of Tron. At times the grid lines visually pop in 3D, with incredible depth and some pop-outs (The scenes are very brief). Moving into the “real” world, the color palette tends to get desaturated quite a bit, dulling the colors, and dulling the 3D quite a bit, with only the primary colors (namely red) feeling punchy and adding to the 3D visual experience. My primary complaint is the absence of significant pop-outs (it has some, but not nearly enough).. The "de-rezzed" NPC remnants moving towards the viewer, a few laser gun barrels, and the power discs moving in from the projector to the actors - these moments are when the 3d excels. Sadly a few scenes of ghosting at the edges of the picture occurred as I watched the film (very brief). Overall, I had high expectations for Tron Ares, anticipating a visual feast of 3D effects. However, I was disappointed to find that the 3D elements were limited and not as prominent as I had hoped.

Final 3D Score: 7/10

Movie

I have been aware of the Tron films for decades now, from seeing the old-school Disney VHS clamshell on the shelves at Blockbuster Video, to seeing the various toys and video games out there, and not to mention the legendary Tron Guy meme on the olden days of the Internet. Tron, a cult favorite for over four decades, finally captured my attention this past week. I meticulously prepared for this film by watching the previous two films in series. Sadly that was a waste of time as Tron Ares is low-key soft reboot of the film series. This film barely acknowledging Tron: Legacy as all except for a few passing references.

The plot of Tron Ares is that the character of Ares, a self-aware program, is sent to retrieve the permanence code from old floppy discs. The code is crucial for bringing digital constructs into the real world. Will this code go into the wrong hands? You will need to watch the movie to find out.

Yeah, I gotta admit, I really don't like the Tron movies. The entire film franchise is guilty of having poor world building, muddled narratives, underbaked motifs, and motivations. I fail to see why the films are considered cult classics, besides the neon-hued set designs and a terrific Daft Punk score for Legacy. I mean, how did a company that went from making arcade games go on to become a tech giant, making way too advanced software for its time and a laser that, quite frankly, was always in an unsafe location, with no protective barrier between the computer and laser? Major OSHA violation there, but there are light (and I mean light) touches on religion, software gone astray, and AI possibly being too powerful in the wrong hands, that are fumbled in the entire trilogy.

I’m sorry but the Tron film series just fall flat (including Ares). Tron Ares has performances that are mediocre, direction feels generic, and the screenplay is super predictable. The only real positives are the terrific visuals (except for some scenes in the real world that feel washed out with a lack of color and contrast) and the amazing Nine Inch Nails soundtrack. Everything else is just the biggest, fattest mid-movie Disney could muster after 15 years in between sequels and 40 years of a franchise that should never have been. It's truly amazing how a trilogy of films could be so damn boring yet achieve a sizable fandom. In the words of the popular meme from the decade-old animated film The Lorax, "Let it die! Let it die! Let it die!" and this time for good.

Final Movie Score: 5/10

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https://movies.disney.com/tron-ares

Superman 3D Movie Review

July 11, 2025 by adolph vega in Superman, Superman 2025, Superman 2025 3d, Superman 2025 3-D, DC Comics, 2025, 3-D Cinema, 3-D Films, 3-D Movies, 3D films, 3D Movies, 3D or 2D, 3D Worth It

Superman

3D Movie Review

By Adolph Vega

3D

I watched Superman in IMAX 3D, and it’s definitely worth it. The film makes strong use of both pop-out 3-D effects and depth-based 3D, adding visual excitement without ever feeling like a gimmick. One of the most fun 3D moments involves a few loose teeth flying toward the screen — playful and effective. A more emotional high point comes when Superman saves a little girl from falling debris — the camera work and pop-out depth make that moment hit hard in the best way.

There’s also a visually stunning black hole scene, where the layered 3D visuals shine, offering a real sense of scale and cosmic awe. For the most part, the format complements the film’s scope and ambition beautifully.

That said, the 3D is not perfect. There are some minor ghosting issues in a few scenes. Certain moments are intentionally presented in 2D, that is when characters are watching TV or looking at phone screens. It makes sense, but it does briefly break the immersion. Also, the film’s stylized cinematography and fast-paced editing occasionally clash with the 3D presentation, making some sequences a bit visually overwhelming.

Still, those are relatively minor gripes. When the 3D works, it genuinely enhances the experience of watching Superman. I’d definitely recommend seeing it in 3D — especially IMAX 3D if you can find it (and afford it). Overall, Superman (2025) makes great use of stereoscopic effects, enhancing key scenes with immersive visuals that pulled me right into the world of Metropolis.

Final 3D Score: 8/10

Movie

Superman (2025) is an exciting, heartfelt return to form. The movie brings fresh energy and boldness to the DC Universe while still honoring the essence of its most iconic hero. That said, it’s not without its issues.

The film moves very fast — sometimes to a fault. From the opening scene, it barrels ahead with little time to breathe or reflect. The pacing feels rushed, and on occasion, important story elements are told rather than shown, which creates the sensation that we’ve jumped into the second film in a trilogy without seeing the first. While things do come together by the end, the lack of background context can be a bit jarring at times. For example, we’re told why Lex Luthor hates Superman — but I wanted to see what triggered it firsthand.

Despite this, the story it tells is surprisingly relevant and emotionally resonant. There are clear allusions to modern-day issues — fake news, immigration, and even allegories of the war in Ukraine — all woven into a narrative about fear, control, journalism, and public perception. Some will no doubt complain that it’s “too political,” but that criticism overlooks who Superman has always been. He stood for truth and justice from the very beginning — in Action Comics #1 (1938), he was already fighting corrupt lobbyists and war profiteers. Superman has always been caring being that connects to the era that it’s set in.

This film doesn’t directly preach, but uses metaphors to reflect on the works that we live in. Topics like the smearing of reputations, war profiteering, the alienation of the “other,” and the power of journalism aren’t heavy-handed — they’re honest acute reflections of the world we live in. The film doesn’t feel like an agenda; it feels like a thoughtful critique of the human experience, and that gives it real weight.

At the heart of the film is a Superman who is struggling. It’s a shocking and brilliant way to start the film. Superman is vulnerable — not just physically, but emotionally. Superman is caught in a storm of PR spin to ruin his reputation. This is a smart narrative that adds tension and complexity without compromising Superman’s core values of kindness, decency, and hope. This is where the film truly shines — it understands the character of Superman, not as an invincible alien, but as a symbol of what humanity could aspire to be. Superman has always saved humanity, but we saved him and gave him the opportunity to be the mightiest hero.

The cast is one of the film’s strongest assets. David Corenswet is phenomenal — he radiates warmth, strength, and quiet humility that makes him feel exactly like Superman should. You understand why the world believes in him, and why this version of Superman resonates so strongly in a cynical, jaded age. The core ensemble is strong, especially the leads, though I do think some of the extended Daily Planet staff could’ve been trimmed without much loss.

Nathan Fillion stands out as Green Lantern — brash, abrasive, and completely entertaining. I especially loved how the film used his powers creatively. His presence adds energy and contrast to Superman’s softer demeanor, without stealing the spotlight. Edi Gathegi as Mr. Terrific also showcases excellent performance and was a surprise highlight of the film.

When the film slows down, it truly pays off. The more reflective, dialogue-heavy scenes help deepen the characters and create emotional weight. These are the moments that anchor the film emotionally and remind us why we care about these people.

Of course, this wouldn’t be a superhero movie without action — and the action here is excellent. It’s frequent, well-choreographed, and visually spectacular. Whether it’s massive city destruction or smaller, character-driven fights, every sequence has a sense of scale and flair that feels distinctly comic book — not grounded realism, but elevated imagination. At a time when many people feel superhero fatigue, this film feels refreshing, distinct, and vibrant. The special effects are superb, and overall, it’s just a joy to watch.

Also, let’s not forget Krypto the Superdog — an absolute scene-stealer. His scenes are equal parts funny, heartwarming, and badass. He adds so much to the movie.

The film’s tone is another major win. The humor feels natural, never forced, and the entire project feels like a confident new direction. It’s not trying to be Marvel, and it’s not trying to copy the Snyderverse — it’s something new. It’s unapologetically comic book-y in the best ways. James Gunn nailed it. I genuinely feel excited about the future of this universe, and this movie does a great job of laying the groundwork for the new DCU — teasing what’s to come without feeling like a commercial.

Yes, I still have a lot of unanswered questions, and yes, some characters and subplots could’ve been tightened — but those are small issues in an otherwise thrilling, hopeful, emotionally grounded Superman film. Superman (2025) is the Superman film I’ve been waiting decades for. It’s bold, wholesome, emotional, and modern, without losing what makes the character timeless. With standout performances, meaningful themes, thrilling action, and a tone that balances heart and spectacle, this is easily top tier filmmaking and one of the best Superman movies of all time.

Final Movie Score: 9/10

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https://www.superman.com