Fantastic Four First steps 3D Movie Review

July 31, 2025 by adolph vega in 3-D Cinema, 3-D Films, 3-D Movies, 3D or 2D

Fantastic Four First Steps

3D Movie Review

By Adolph Vega

3D

Fantastic Four First Steps is one of the best uses of 3D Marvel has delivered in years. Wow this movie dazzles in 3D. The third dimension doesn’t just exist here; it elevates the whole visual experience.

There’s a real sense of scale, especially when Galactus shows up. The sheer immensity is jaw-dropping, and you feel it — not just see it. The space scenes are especially phenomenal, particularly inside the wormhole, where the visual 3-D layering and movement pull you deep into the action.

For the most part, it’s a depth-heavy experience, which works wonderfully with the framing and cinematography. There are some nice pop-out moments — Silver Surfer slicing through the air, and Human Torch blazing past — but honestly, I wish there were more.

Minor ghosting is there (2-3 seconds) if you’re really looking, but nothing too distracting. One odd choice: there are moments where the 3D just shuts off, like for an in-movie screen. I get it, but still, a little jarring.

Overall, the perspective shots, epic scale, and smart framing all get a serious boost from the 3D treatment. This feels like Marvel finally remembered what 3D can do. Fantastic Four First Steps is absolutely worth watching in 3D.

Final 3D Score: 9/10

Movie

From the very beginning, this movie gets it. The tone, the vibe, the world — it just works. The neoretro 60s aesthetic is superb — it looks like what the 1960s thought the future would look like, and I adore that. It’s bold, playful, and distinct.

The robot companion? Loved it. The robot is totally weird and fun, with a real personality. And I loved how the tech in the movie is this wild combo of outdated analog and hyper-advanced — quirky and very Kirby-esque. I really wish Stan Lee were alive to see this. It absolutely captures the spirit of his and Jack Kirby’s original vision. The world presented in this movie feels lived-in, in a way most comic book movies skip over.

The cast chemistry is spot-on, and yes, I loved Pedro Pascal as Reed Richards. If anything, I loved him too much — Reed is supposed to be a bit of a jerk, and Pascal’s warmth sort of softens that edge. But man, he owns the role. His intelligence shines, and this is the first time we really see what makes Reed “Mr. Fantastic.” The dialogue between the characters feeds natural and sharp. Human Torch stood out to me with his cleverness, not just the flash. Silver Surfer is reintroduced with just the right balance of mystery and power. Overall the entire cast nails the roles and they work perfectly together.

The plot is straightforward — stop Galactus — and it moves with purpose, though there are definitely pacing hiccups. Some scenes lag. The “romance” subplot for one of the characters is sweet but is undercooked. And there’s one twist late in the final act that honestly didn’t entirely land for me. And the secretary character? What was going on there? Completely unexplained, felt like a loose thread. This is an abridged origin story and it’s handled really well. It’s a standalone movie, no homework required. Just jump in, and enjoy the ride.

Overall the CGI is stellar in the space scenes, but in other moments it is lacking. Yeah, that baby was definitely CG at times — kind of took me out of it. Mr. Fantastic stretching still looks off (not as bad as the previous films). The fire on the human torch looks excellent. The look of The Thing is comic accurate and is absolutely perfect and is well animated. The overall aesthetic works well with the CGI.

But despite its flaws, Fantastic Four First Steps is so much fun. It feels like a classic Marvel comic brought to life — full-on sci-fi, cosmic adventure. The monologues hit, the action dazzles, and there’s a sincere heart at the core of it all. At last, a Fantastic Four movie that’s actually… fantastic.

Final Movie Score: 8/10

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Official Website:

https://www.marvel.com/movies/the-fantastic-four-first-steps

Superman 3D Movie Review

July 11, 2025 by adolph vega in Superman, Superman 2025, Superman 2025 3d, Superman 2025 3-D, DC Comics, 2025, 3-D Cinema, 3-D Films, 3-D Movies, 3D films, 3D Movies, 3D or 2D, 3D Worth It

Superman

3D Movie Review

By Adolph Vega

3D

I watched Superman in IMAX 3D, and it’s definitely worth it. The film makes strong use of both pop-out 3-D effects and depth-based 3D, adding visual excitement without ever feeling like a gimmick. One of the most fun 3D moments involves a few loose teeth flying toward the screen — playful and effective. A more emotional high point comes when Superman saves a little girl from falling debris — the camera work and pop-out depth make that moment hit hard in the best way.

There’s also a visually stunning black hole scene, where the layered 3D visuals shine, offering a real sense of scale and cosmic awe. For the most part, the format complements the film’s scope and ambition beautifully.

That said, the 3D is not perfect. There are some minor ghosting issues in a few scenes. Certain moments are intentionally presented in 2D, that is when characters are watching TV or looking at phone screens. It makes sense, but it does briefly break the immersion. Also, the film’s stylized cinematography and fast-paced editing occasionally clash with the 3D presentation, making some sequences a bit visually overwhelming.

Still, those are relatively minor gripes. When the 3D works, it genuinely enhances the experience of watching Superman. I’d definitely recommend seeing it in 3D — especially IMAX 3D if you can find it (and afford it). Overall, Superman (2025) makes great use of stereoscopic effects, enhancing key scenes with immersive visuals that pulled me right into the world of Metropolis.

Final 3D Score: 8/10

Movie

Superman (2025) is an exciting, heartfelt return to form. The movie brings fresh energy and boldness to the DC Universe while still honoring the essence of its most iconic hero. That said, it’s not without its issues.

The film moves very fast — sometimes to a fault. From the opening scene, it barrels ahead with little time to breathe or reflect. The pacing feels rushed, and on occasion, important story elements are told rather than shown, which creates the sensation that we’ve jumped into the second film in a trilogy without seeing the first. While things do come together by the end, the lack of background context can be a bit jarring at times. For example, we’re told why Lex Luthor hates Superman — but I wanted to see what triggered it firsthand.

Despite this, the story it tells is surprisingly relevant and emotionally resonant. There are clear allusions to modern-day issues — fake news, immigration, and even allegories of the war in Ukraine — all woven into a narrative about fear, control, journalism, and public perception. Some will no doubt complain that it’s “too political,” but that criticism overlooks who Superman has always been. He stood for truth and justice from the very beginning — in Action Comics #1 (1938), he was already fighting corrupt lobbyists and war profiteers. Superman has always been caring being that connects to the era that it’s set in.

This film doesn’t directly preach, but uses metaphors to reflect on the works that we live in. Topics like the smearing of reputations, war profiteering, the alienation of the “other,” and the power of journalism aren’t heavy-handed — they’re honest acute reflections of the world we live in. The film doesn’t feel like an agenda; it feels like a thoughtful critique of the human experience, and that gives it real weight.

At the heart of the film is a Superman who is struggling. It’s a shocking and brilliant way to start the film. Superman is vulnerable — not just physically, but emotionally. Superman is caught in a storm of PR spin to ruin his reputation. This is a smart narrative that adds tension and complexity without compromising Superman’s core values of kindness, decency, and hope. This is where the film truly shines — it understands the character of Superman, not as an invincible alien, but as a symbol of what humanity could aspire to be. Superman has always saved humanity, but we saved him and gave him the opportunity to be the mightiest hero.

The cast is one of the film’s strongest assets. David Corenswet is phenomenal — he radiates warmth, strength, and quiet humility that makes him feel exactly like Superman should. You understand why the world believes in him, and why this version of Superman resonates so strongly in a cynical, jaded age. The core ensemble is strong, especially the leads, though I do think some of the extended Daily Planet staff could’ve been trimmed without much loss.

Nathan Fillion stands out as Green Lantern — brash, abrasive, and completely entertaining. I especially loved how the film used his powers creatively. His presence adds energy and contrast to Superman’s softer demeanor, without stealing the spotlight. Edi Gathegi as Mr. Terrific also showcases excellent performance and was a surprise highlight of the film.

When the film slows down, it truly pays off. The more reflective, dialogue-heavy scenes help deepen the characters and create emotional weight. These are the moments that anchor the film emotionally and remind us why we care about these people.

Of course, this wouldn’t be a superhero movie without action — and the action here is excellent. It’s frequent, well-choreographed, and visually spectacular. Whether it’s massive city destruction or smaller, character-driven fights, every sequence has a sense of scale and flair that feels distinctly comic book — not grounded realism, but elevated imagination. At a time when many people feel superhero fatigue, this film feels refreshing, distinct, and vibrant. The special effects are superb, and overall, it’s just a joy to watch.

Also, let’s not forget Krypto the Superdog — an absolute scene-stealer. His scenes are equal parts funny, heartwarming, and badass. He adds so much to the movie.

The film’s tone is another major win. The humor feels natural, never forced, and the entire project feels like a confident new direction. It’s not trying to be Marvel, and it’s not trying to copy the Snyderverse — it’s something new. It’s unapologetically comic book-y in the best ways. James Gunn nailed it. I genuinely feel excited about the future of this universe, and this movie does a great job of laying the groundwork for the new DCU — teasing what’s to come without feeling like a commercial.

Yes, I still have a lot of unanswered questions, and yes, some characters and subplots could’ve been tightened — but those are small issues in an otherwise thrilling, hopeful, emotionally grounded Superman film. Superman (2025) is the Superman film I’ve been waiting decades for. It’s bold, wholesome, emotional, and modern, without losing what makes the character timeless. With standout performances, meaningful themes, thrilling action, and a tone that balances heart and spectacle, this is easily top tier filmmaking and one of the best Superman movies of all time.

Final Movie Score: 9/10

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https://www.3dor2d.com/3d-or-2d-ratingssystem/

https://www.superman.com

Jurassic World Rebirth 3D Movie Review

July 04, 2025 by adolph vega in 3-D Cinema, 3-D Films, 3-D Movies, 3D or 2D, Jurassic World Rebirth, Jurassic World

Jurassic World Rebirth

3D Movie Review

By: Adolph Vega

3D

The 3D in Jurassic World: Rebirth isn’t bad — it’s just so disappointing. For a Jurassic movie, you expect dinos bursting out of the screen and immersive, pulse-pounding depth. Instead, we get one lonely pop-out and some basic depth layering.

To be fair, a few moments really work: the waterfall scene has great depth, and tight spaces like the convenience store and underground corridor benefit from the 3D, making them feel realistically claustrophobic. The jungle shots are also nice — they lean into that “you are there” nature documentary vibe.

But beyond that? It’s mostly flat. Ghosting issues creep in, and the final act is a dark, muddy mess where the 3D actually makes things harder to see. The potential is there, but the filmmakers just don’t commit.

Jurassic World: Rebirth has mediocre 3D, but it really should have been excellent 3D.

Final 3D Score: 6/10

Movie

Here we go again. Another Jurassic movie. They found YET ANOTHER island full of dangerous dinosaurs. Another group of mostly pointless characters wandering into dino disaster territory with asinine reasoning.

This time, they throw in a “mutant dinosaur” angle to spice things up. And yeah, I’ll admit it — that could have been interesting. Remix some dinos, give them weird traits, create something truly new. But instead? We get a big boss dino with four arms and a head that looks like a cancerous tumor. Cool idea — but they just didn’t do much with it.

And then there’s the plot. Something about dinosaur blood curing cancer? Or something like that ?! Of course, it has to be the blood from the deadliest, biggest dinosaurs. Didn’t we already get this story in a previous Jurassic movie? We’re force-fed exposition and introduced to a large cast of characters we’re supposed to care about — even though we know most are just here to become dinner for the dinosaurs.

So many people magically survive when it makes absolutely no sense. I won’t spoil specifics, but come on…

And that happy ending? Way too neat and way too cute. I can only suspend my disbelief so far. There’s no way all of that chaos wraps up in such a shiny little bow.

What’s weird is that I actually liked the previous Jurassic World movies. I’ve even defended them. They had spectacle, solid pacing, and a sense of urgency. But this? This one’s different. Not terrible, not unwatchable — just basic.

Let’s also talk about the anti-greed moral, which lands with all the subtlety of a T-Rex roar. It’s rich (pun intended) coming from the seventh film in a multi-billion-dollar franchise built on merchandising. Speaking of merchandising — let’s talk about the product placement. It’s like the dinosaurs were sponsored. Why not just put them in Levi’s and Nikes? It’s not quite that bad, but it’s getting there.

The first hour is a nothing-burger of a slog. The film opens with on-screen text dumping a bunch of lore like a Wikipedia summary of a movie they forgot to film. Oh, and don’t worry — the previous movie (Dominion) ending barely matters. But sure, let’s keep name-dropping legacy characters and events, because nostalgia bait is the cheapest way to fake emotional weight.

Yes, the action ramps up in the second half and becomes fun in a theme-park kind of way, but everything falls too perfectly into place. Need the power back on? Boom, it works. Need someone to survive an impossible situation? They do. Convenient plot magic is the real MVP here.

By the end, I was left with 75 million unanswered questions and a mild headache from rolling my eyes for nearly two hours. I didn’t hate it… but I sure didn’t enjoy it either. I can turn off my brain and enjoy a dumb dinosaur movie — and I’ve proven that in my past positive Jurassic World reviews — but this one? Jurassic World Rebirth tested my patience and got on my nerves. It’s convoluted, frustrating, and just plain stupid, and the first half is boring. The movie opens by saying interest in dinosaurs is waning… and honestly, it’s my interest in this franchise that’s definitely going extinct.